Robert Fischer

Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood

Fassbinder in Hollywood

Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer

Requiem for a Killer: The Making of 'Blast of Silence'

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Starting Out: The Making of Jerzy Skolimowski's Deep End

The Mysteries of Paris: Jacques Rivette's Out 1 Revisited

Director, Producer, Editor, Writer

Perspectives on Othello: Joseph McBride on Orson Welles

Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

Director, Writer, Editor, Producer

The Beast Inside: Creating 'Wolf'

Sound, Writer, Producer, Editor, Camera Operator, Director

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Editor, Writer, Sound, Camera Operator, Director, Producer

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Writer, Producer, Editor, Director

Movies2 movies

Daniel, the Wizard

Journalist

Kurosawa and the Censors

Self

Movies78 movies

Monsieur Truffaut Meets Mr. Hitchcock

Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood

Fassbinder in Hollywood

Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer

Requiem for a Killer: The Making of 'Blast of Silence'

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Starting Out: The Making of Jerzy Skolimowski's Deep End

A Winter's War: Keith Gordon on 'A Midnight Clear'

The Mysteries of Paris: Jacques Rivette's Out 1 Revisited

Director, Producer, Editor, Writer

Perspectives on Othello: Joseph McBride on Orson Welles

Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

Director, Writer, Editor, Producer

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

The Beast Inside: Creating 'Wolf'

Sound, Writer, Producer, Editor, Camera Operator, Director

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Editor, Writer, Sound, Camera Operator, Director, Producer

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Writer, Producer, Editor, Director

Men of Mystery

Reviving Harry Lime

Swan Song: The Story of Billy Wilder's Fedora

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Sound, Director of Photography, Editor, Director, Writer

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Le Plaisir: From Script to Screen

Working with Max Ophuls: Daniel Gélin on "La Ronde"

Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Working with Max Ophuls: Robert Christidès, Set Decorator

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Working with Max Ophuls: Annette Wademant, Co-Writer

Working with Max Ophuls: Alain Jessua on the Making of Madame de...

Writer, Director, Producer, Cinematography, Editor

A Tribute to Douglas Sirk by Allison Anders

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Editor, Writer, Producer, Cinematography, Director

Working with François Truffaut: Nestor Almendros, Director of Photography

Producer, Writer, Director, Editor

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Dalton Trumbo: Rebel in Hollywood

A Cinema of Signs: Claude Chabrol on Alfred Hitchcock

'Deep End': Remembering the Deleted Scenes

Love Letters

Editor, Director

Life As It Is: Miloš Forman on Miloš Forman

Return to Beethoven Street: Sam Fuller in Germany

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'

The Fury: A Location Journal

Producer, Writer, Director

Erinnerungen an 'Väter und Söhne'

Outer Movement, Inner Movement

The Making of Highlander

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Of Love and Constraints

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Contract Kid: William Reynolds on Douglas Sirk

Director, Writer, Producer, Editor

Kurosawa and the Censors

Associate Producer

Ted Kotcheff's Gourmet Cinema

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

Traveling Roadshow

Jack Arnold Remembers The Incredible Shrinking Man

Director, Producer, Writer, Editor, Director of Photography

Touching Death: Alejandro Amenábar on 'Tesis'

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Director, Writer, Director of Photography, Producer, Editor, Sound

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

Director, Editor, Producer

Acting for Douglas Sirk

Return to Philadelphia: George Litto on 'Blow Out'

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Rag Doll Memories: Nancy Allen on 'Blow Out'

Hans Fromm on 'Phoenix'

Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss

Director, Writer, Producer, Cinematography, Editor, Sound

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Director, Writer, Editor, Producer

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

Budd Boetticher on the Ranown Cycle

Editor

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

Director, Producer

Program Notes: An Introduction To The Last Detail By Alexander Payne

Director, Camera Operator, Editor, Producer

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Director, Editor, Producer

Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité

Story

Before Taking Off: Milos Forman’s Road to America

Will He Live or Will He Die: Walter Hill on Southern Comfort